Wednesday, July 31, 2019

WHAT I READ WHILE I WAS GONE: PLAYING REVIEW CATCH UP

In my previous post - uploaded on my ninth anniversary of having founded my blog! - I mentioned that I want to do things a little differently around here. Less fluff, less topics I post just for the sake of posting, less of the kinds of things I wouldn't bother reading on someone else's blog... more of the kinds of topics I want to cover. More writing that I enjoy writing, about books I enjoy reading. 

I really hope you're as excited for that kind of content as I am, I really do. I've already got so many ideas about genres, series, novels, and authors I love, all amply worth writing about. However, it also wouldn't do fit to abandon what my blog has been for nine years entirely: this corner of the Internet was originally shaped to be the place where I could, enthusiastically, share my thoughts and feelings about books in as unadulterated a manner as possible. 

So while I'm stoked to get to the special interest pieces, it's still really important to me that I catch you all up on a few other titles I've been dwelling on, as well. They might not warrant their own individual posts or deep dives, but they're still what I've been reading recently. 

Here are a few of the books I've enjoyed (or not!) so far this year: 


30 BEFORE 30, Marina Shifrin

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This memoir contains a brief collection of essays, detailing the author's attempts at meeting a certain set of goals prior to their 30th birthday. 

For everyone, those goals look different, but for writer and viral content creator Marina Shifrin, the list included everything from the seemingly mundane (riding by bike across the Brooklyn Bridge, meeting a local radio personality from her youth), to the somewhat explosive (the intricately intertwined "Quit Shitty Job" and "Become Famous" chapters, which she tackled in one go with a popular video of her leaving her abusive workplace, to the tune of Kanye West's"Gone," back in 2013). Some she admits she fails at, while others are much more successful, but the same sense of energy, action, uncertainty and bewilderment at their completion permeates them all.

That isn't to say that they're redundant; they're just familiar. What 20 or 30 something doesn't dream of living in a different country, falling in love, or flying first class? Shifrin's voice speaks to plenty with ambitions and interests, and abundance of opportunities that are maybe unmatched with a cohesive sense of direction.

But Shifrin sorts through that madness, using the goals of a narrative structure by which she can detail some of the lessons that life has doled out along the way, from the importance of knowing your personal value, taking time to understand your roots, and finding a place in the world where you feel a sense of belonging. Yet, she is also the first to acknowledge that not everything in your 20s has to be imbued with some sense of deliberation or intention: she chooses to forego an essay for one chapter, and instead, glibly admits, "Holy cow, not everything was a lesson."


SPINNING SILVER, Naomi Novik

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A poor girl takes the reins of her family's household, and turns around their dwindling livelihood. Unfortunately, her tendency to "turn silver into gold" has caught the eye of a local otherworldly king. 

A beautifully written and absolutely enchanting fantasy tale... one that perfectly matched with the snow falling outside my window when I read it, during Seattle's "Snowmageddon" this past February. 

Naomi Novik excels at world-building, as well as bringing unlikely characters together across that world. Not only are all the moving parts lovingly rendered, but they come together in glorious pieces that enmesh themselves completely, laying out an intricate and complex tapestry of a narrative that fits seamlessly with a high fairy-tale aesthetic. 

In terms of specific reasons why I appreciate Novik's fractured or re-imagined fairy tales in a Fantasy genre that almost regards such things as passe, I really love her focus on well-fleshed female main characters, and even supporting female characters, as well. None fall into the trap of being too much of any one thing - too girly, too strong, too helpless, too overpowered - and while all have good intentions, it never keeps them from being too "good" either, frequently falling into jealousy, or anger, or selfishness. They are allowed to be heroes and humans, but all at once.

Something about her writing also feels really old-school, while still being very contemporary, in the best kind of way... like, it follows the classical construction, with characters that feel well-established, without relying on tropes or convenient plot formulas, but who else is integrating elements of Jewish faith into Fantasy? 

LESS, Andrew Sean Greer

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Emotionally distraught by a wedding invitation from his former lover, a writer decides a little upheaval and world travel is just the thing to get his mind off of the disappointment. Maybe along the way, he'll figure out how to revive his floundering career?

[Thorough and unrepentant spoilers and significant personal emotional responses abound here, folks. I am not talking down to anyone's point of view, especially if you enjoyed this book... these are just my feelings. I have a lot of them. Strap in.]

To put it bluntly: this book did not deserve the 2018 Pulitzer. In fact, the fact that it won the Pulitzer, makes me like Less less. It wan't that it was BAD, necessarily, just that it wasn't up to par, especially when judged against other books that have achieved that sort of recognition in the past.

I understand what the book was attempting to do, especially in nestling the story within a story at the hands of the authorial main character. It made me consider how much of the narrative itself was autobiographical, if anything.

The main character is comically gifted with a litany of things that make him overburdened with goodness in his life: He has no problem pulling guys much younger than him, he's in better physical shape than most, he's experienced success as a writer that has kept him paid (even if his recent writing isn't as successful), he is hosted in countries around the world for arbitrary reasons, wins an award along the way, has an absolute embarrassment of friends, and good relationships with his exes (AND, as it turns out, his ex's ex-wife). And he gets his guy in the end! What the hell did he feel like he needed to pay all of this emotional penance for?

It did raise the interesting question of how LGBT writers perform gayness in their written works - something I haven't considered a ton before - in the main character grappling with being described as "spoony" in a review, or the claim being made against him by another another that he was "being a bad gay" when making his main characters suffer needlessly for the sake of a redemptive gay love story. 

I did finish it. I liked the ending; I thought it was sweet. Various repetitive elements / callbacks / motifs within the frame of the narrative were cute... it was a gentle reminder that nothing in the world exists in a vacuum; there will always be "signs" from the universes that remind you of the path you've walked this far.

Honestly, though, I can't help but consider what kind of reception this book would have gotten if its main character / author was a woman. It would have been lambasted as overly-gratuitous navel-gazing! She would have been called a mopey Mary Sue! She would have been decried as unlikable and unrealistic! Ugh. 

The Pulitzer!!!

PRIDE AND PREJUDICE, Jane Austen - Audiobook

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Boy meets girl. Boy insults girl. Two rejected proposals later, Girl realizes she might have made the wrong call. You know, that old tune. 

I've read this novel plenty of times in my teenage and adult years, but after I couldn't quite find the time to finish it this past Spring, I turned to alternative means of making my way to the final page.

I was wholly unprepared for the unexpected and complete joy of listening to this classic on audio book, and found myself going for long walks alone in the morning, because I'd been looking forward to it so much the evening before. As someone who's never particularly enjoyed this format before, and never thought about the amount of time I spend listening to various media, it was a wholly happy surprise. I drove to and from Seattle for a sorority advisory event listening to this audio book, and found myself so enraptured, I sat in my driveway for five minutes after arriving home, listening to a chapter. 

As it turns out, Darcy and Elizabeth hold up no matter the format, and listening to everything Mr. Collins says out loud, with a nasally inflection, might be even funnier than reading it yourself.

WINK POPPY MIDNIGHT, April Genevieve Tucholke

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Three teens, one summer, and endless dark and whimsical shenanigans in a remote, affluent town, with little parental supervision. Is it a fairy tale, or the start of something more sinister?

Sometimes it's nice to read books that are pretty, aesthetically written, and don't make you work very hard.

Welcome to Tucholke's PNW, where the teenagers are beautiful, prose is flowery, and consequences don't matter. The parents are absent, which is half of the reason why everyone seems to have such mental complexes, and even the foods everyone eats feel like something out of a Zelda video game (strawberries still warm from the sun, golden turmeric milk, slabs of gingerbread cake, basil and mozzarella sandwiches eaten on the porch in the dying light of day).

When these teens aren't wandering the woods and local haunted houses and cemeteries with impunity, they're toeing a weird sort of line between childlike wonder and rampant sexual behavior. Existing in this weird in-between of youthful whimsy and climbing-in-windows-naked, you're asked to consider for yourself which of the characters is a Hero, which is a Villain, and which is a Liar.

However, even once all of those questions have been answered, you'll remain with the most important one of all: What the actual hell?

So, they're a bit of a far cry from my typical review format, but they're something I'm still trying to figure out. All I know for sure, is that there's plenty more where this came from! I hope you are enjoying the difference in how I choose to write on this platform... but just in case you haven't detected all that much of a change yet, I hope you stick around for next Wednesday! 

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